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Zoom R8 8-Track Multitrack Digital Recorder – DAW Controller – Audio Interface | Gearank – Customer reviews

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It may be small, but the Zoom R8 is packed full of recording options. A pair of combo jacks give you the option of connecting any microphone you. Well-built, especially for a budget device with so many features. Impressive recording quality for the price. The R8 is exceptionally easy to operate, allowing you to capture ideas instantly while they’re still fresh. Thanks to its portability, you’ll.

Zoom r8 sampler review


I thought it would be fun to put together an actual drum backing track with sampled loops as opposed to MIDI patterns, as the procedure is basically the same and it gives us something new to cover. With the Track Sequencer function, you can create backing tracks in step time or real time which I find less tedious and more musical. The procedure is relatively straightforward, although I did need to read the manual. Still, if the fate of the free world had depended on my figuring it out without the manual, I probably could have Basically, like the rhythm patterns, you need to dedicate a track to any loop you want to use.

With the stereo loops provided on the SD card, each loop actually requires two tracks. So you assign a loop to a track, and set it to loop. At that point the pads are your way of entering the pattern. I used three different patterns.

With stereo loops, you need play only one of the pads to trigger a loop. As with rhythm patterns, audio loops play through to the end once triggered and are quantized; in short order I got used to hitting a pad slightly before I wanted the loop to play. After recording, you can see which loops are in which tracks—each square you see represents a measure.

The above screen shows tracks , while the next screen shows the display scrolled down one track so you can see After you have your rhythm track together, you can bounce all the tracks down to free up more tracks. This really makes a difference in terms of being able to add dynamics and expressiveness. If you get it wrong, you can undo a bounce so you can experiment with getting the rhythm track just right.

Mission accomplished: I had a rhythm track. But what if you want to stretch tempo? First, I needed to get the loops into the R8. The USB functionality is super-obvious. You just hit the USB button, select card reader instead of audio interface, and it shows up as peripheral memory. From there you can transfer files back and forth with impunity. I ended up making a folder for my own loops, and of course, the R8 recognized it when I wanted to load loops from it.

The USB functionality is particularly welcome because you don’t have to actually remove the SD card to move files onto it and off from it.

Yes, you can stretch. The stretching process is simple. You even have a choice of two stretching algorithms, Beat or Tone. Fair enough. As to the fidelity, the ground rules are the same as for most stretching: The less you need to stretch the better the fidelity, and the more defined a beat, the better the Beat algorithm will work.

Check out the attached audio example , which tells the story on stretching. There are two loops both from my AdrenaLinn Guitars loop library played against the drum part I made in the previous post.

You proceed as you would for stretching, except you choose Trim instead of stretch. You then see a representation of the waveform in the display—not exactly high-res, but still, pretty useful.

This is helpful with low-level signals to bring them up to something more visible, but a horizontal zoom would have let you see what was happening with the waveform with a little more detail. The following image shows the waveform zoomed 3 times up, and you can zoom up to 32 times. We touched on recording in post 3, but even though the process is really simple, there are some deeper elements we need to cover. Time Signature and Tempo.

Of course, these are adjustable and you would specify these before you start recording. If you change tempo later, you do have the option to stretch all existing tracks, as mentioned previously. Note that any effects you add will be “printed” with the track. Insert effects while recording.

This is wonderful when, for example, you want to sing with reverb and compression to get the right feel, but not necessarily commit this to a track.

Thanks Craig. I have been recording on a DAW for about 12 years, and recently I have been wanting to have something to quickly try out ideas. On the DAW I feel like I must make it great – but I find it difficult to be inspired after I boot up, bring up the card control software, plug in the mic and get all the routing right, etc.

And sometimes I have this weird guilt feeling about booting up the computer, monitor, and monitor amps and speakers just to mess around with some ideas. I have been feeling like I just want something quick and easy – like the old 4 track cassette was. Your review here has been really helpful – thanks so much – I appreciate it! More to come What surprises me the most about the R8 is that in many cases, you CAN use what you recorded on it in a “serious” production. If you heard that audio example of the acoustic guitar at the beginning, you’ll know what I mean.

Good to see you are still writing great stuff Craig and this review is no exception, I still have your Home Recording for Musicians, when I got my first recorder Teak 4 track reel to reel probably 25 years ago.

Its amazing what can be packed into such a small package now-a-days and the quality is outstanding, thinking back the equivalent to the R8 would probably have cost 2 to 3 grand 10 years ago. Keep up the good work Mate. I have ordered my R8, should be here in a couple of days, cant wait to get back into recording. The R8 has three points where you can insert effects: Between the input and track, so you can record on the way in with zero latency monitoring, of course , between a track and the mixer, and just before the master output fader- i.

Before getting too much into how the effects are organized, algorithms, etc. I kept it simple: Plugged in, hit record, played, changed the effect, played some more, changed the effect, and so on. I then turned the R8 into a card reader and transferred the mono WAV file to Sonar, where I took a sort of “greatest hits” of what I recorded it was all one-take stuff, so I figured you didn’t want to hear the pauses when I changed effects.

All examples were recorded with a Gibson Firebird X yes, I’m one of the lucky ones who actually has one using the single-coil bridge pickup. I think you’ll be surprised, as was I, by the number of different distortion sounds. Most of them are high-gain types, but I’m pretty sure I can edit them for bluesier, more vintage type sounds Meanwhile, enjoy the distortion!

Thanks so much for the continuing review of the Zoom R8. I am a novice when it comes to using a recorder. The last one I had was a cassette Tascam Porta Studio 4 track.

The Zoom R8 attracts me. A few questions: Is there a steep learning curve for this unit? I don’t own a bass guitar so how does the built-in one sound? Would you recommend this Zoom R8 recorder as a good solid purchase for someone like me who wants to throw down original music ideas with semi-pro sounding results?

Or, would a more computer based unit like Cakewalk V-Studio 20 be easier to manage? I am an obvious newbie. Thanks for any advice. Thanks for the review Craig. Other than the manual this is the best info out there on this unit. Is it possible to record a guitar, mic and use the drum machine simultaneously? Or do you need to pre-record the drums to do that? I did not buy one of these but might.

From an engineering standpoint- is this possible? I said add on because they don’t have to re-engineer hopefully the unit itself or change the price. You can post now and register later. If you have an account, sign in now to post with your account. Note: Your post will require moderator approval before it will be visible. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor.

Upload or insert images from URL. Share More sharing options Followers 0. Reply to this topic Start new topic. Recommended Posts. Anderton Posted September 9, Posted September 9, Link to comment Share on other sites More sharing options Replies 88 Created 10 yr Last Reply 1 yr. Top Posters In This Topic 37 5 10 6. Anderton Posted September 12, Author Members. Posted September 12, As far as easy is concerned, no, I didn’t look at the manual I set the R8 up on a table in my office, pulled out my trusty J acoustic, and stood a couple feed away from the recorder.

Anderton Posted September 16, Posted September 16, Anderton Posted September 23, Posted September 23, Anderton Posted September 28, Posted September 28, First, a few details Although there are only eight pads, there are two banks for 16 sounds total – eight drums and eight percussion.

The Percussion bank is particularly useful if you want to “overdub” real-time drum sounds over a repeating pattern. There’s a handy “pad roll” feature, where you can program the rate at which a drum repeats when you hold down its pad.

For example if you want to add a 16th note hi-hat part, or a dotted eighth percussion part, or any of ten different options total, the drum will trigger at the selected rhythm as long as the pad is held down. There are seven pad sensitivity settings, from feather touch to King Kong. The pads are velocity-sensitive, but there are three options for constant velocities.

The one inconvenient aspect of this is you have to go into a system menu to set this, which locks out hearing the pads. So, you have to push the Rhythm button again to get back to drum pattern world, then play the pads to see if you like the results. Guitar World Guitar World. Sign in. Total Guitar. Guitar Techniques.

Bass Player. Join now. Join now Already have an account? Sign in here. Chris Gill.


Review: Zoom R8 Recorder Sampler Interface Controller | Guitar World – Recommended Posts

It’s a fantastic little mixer/recorder, with a surprising number of features, and a small footprint. I use it in my home studio when I’m writing, and have even. The R8 packs a lot of functionality into a small affordable package, but suffers from the same malady inherent to many DAWs: poor input audio quality. Load a.


Zoom r8 sampler review –


Hardware or software recording? The R8 offers both options for anyone wanting to sampller a start in recording.

Zoom’s R16 and R24 personal multitrack studios not only function as conventional recorders, but also refiew a zoom r8 sampler review into computer-based recording as they act as both a USB audio interface and a control surface for computer software. The latest machine in the series, the R8, puts all this zoom r8 sampler review a smaller and more affordable package, offering a set of four production tools – an eight-track recorder, an audio interface, a DAW control surface and a sampler complete with drum pads and a rhythm zoom r8 sampler review.

The R8 is powered from a supplied mains adaptor, or by batteries if you want to use it out and about – something that should be easy as it ziom has a footprint smaller than an A4 sheet of paper and sports a pair of built-in mics.

Recording is done to SD cards and you can record one or a pair d8 tracks at once, either through the onboard mics, external mics or samplr connected to the two inputs, one of which can be switched to Hi-Z to take a direct guitar or bass signal.

There are insert effects that can be recorded with the signal, including 18 guitar amp models and six amps. A metronome is provided to help timing, but if you want something more advanced the R8’s rhythm machine allows you to program your own beats zoom r8 sampler review a set of pads or use the onboard preset patterns. An eight-voice sampler also utilises the pads and allows you to loop audio data on any track. As an audio interface, the R8 supports two inputs and two outputs to your computer and, as a copy of Steinberg’s Cubase Reviw software is included with the zoom r8 sampler review, you have a ziom option straight out of the box.

The R8 can also control transport functions for your recording software as zoom r8 sampler review as mixing functions via its faders. If you want to create a solid foundation for your song you can use the onboard rhythm machine how to access zoom without wifi – how access zoom sampler, or a combination of how to enter meeting id in zoom app. The rhythm machine gives you 10 drum kits to choose from deview, if you don’t want to create your own patterns, the preset patterns include plenty of phrase variations including intros, fills and the like.

Zoom also includes MB of sampled drum loops for use with the sampler. The rhythm patterns or sampled loops have to be assigned to reivew and sequenced by an onboard sequencer – something that we didn’t teview to be particularly intuitive, but there’s plenty of scope zoom r8 sampler review creativity once zoom r8 sampler review up to speed on it.

To record guitar, just plug in, use the onboard tuner, select an insert effect and go. The amp sims, taken from Zoom’s G2Nu, are very playable and suit a wide range of musical styles. If you want to keep your hands on your guitar, there’s the option of adding a footswitch to the system to initiate recording. Alternatively, you can program automatic punch-in and out zoom r8 sampler review.

If you want to record a gig on location, or perhaps an acoustic guitar, the onboard mics do a pretty good job. A couple of send and return effects – reverb and either delay or chorus – can be samplre to individual tracks and, revew you’ve finished recording, applying mastering effects adds a nice polish as the song is mixed down to a dedicated master track. Certainly useful as a musical sampper, the R8 is also capable of producing polished demos and can double up as a guitar practice tool by using the amp sims and playing along to the onboard rhythms.

It could also easily be taken to sampker rehearsal room or gig to capture the sound of the whole band or perhaps a samplerr drum track that you could use as a basis for further overdubs – either done on the R8 itself, or in Cubase on a computer, using the R8 zoom r8 sampler review an audio interface.

For its asking price, the R8 offers a lot of whizz for your wonga, straddling the worlds of hardware and software recording – and could well prove to be your ideal introduction to both. Trevor Curwen has played guitar for several decades — zoom r8 sampler review also mimed it on the UK’s Top of the Pops. Much of his working life, though, has been spent behind the собой zoom network error недавно desk, during which time he has built up a solid collection of the guitars, amps and pedals refiew to cover just about any studio session.

Home Reviews Guitarist. MusicRadar Verdict. Versatile combination of facilities. Decent amp sims. Cubase LE included. Cons – Rhythm programming could be easier and ties up recording tracks. Image 1 of 4. Trevor Curwen.

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